A total of 32 shows 14 spaces flood in the series 'Valencia Photo' 2010.
A total of 32 exhibitions in 14 cultural spaces up the offer of 'Valencia. Photo 2010 ', which in its third edition l recombines recovery of the classics in the history of photography to the study of the latest trends. The event, which runs until March 2011, starts on Thursday with the opening of five exhibitions at the Museum of Valencia Il.lustracio i la Modernity (MuVIM) and, gaia online gold, one in the room Parpallo.
So I said the head of exhibitions at the MuVIM, Carlos Perez, in a press conference in which they have released the first signs of this true cultural autumn. The universal genius of Andre Kertesz, Eugene images Salignac on the process of construction of the historic bridges of New York and Portuguese contemporary, ff14 gil, production are some of the commitments of this new cultural call.
The presentation of the cycle have also come MuVIM director, Javier Varela, the director of the Board Parpallo, Ana de Miguel, the Hungarian consul general in Barcelona, Balint Nagy, the deputy director of the Serralves Foundation, Ricardo Nicolau, and photographic director of the University of Navarra, Fernando de la Puente.
One of the exhibitions hosted by the MuVIM star is' Andre Kertesz. Pictures', an author who has been called the most original twentieth century. Kertesz (Budapest, 1894-New York, 1985) created his own style, photography, photo, marked by a vision "humanist, lyrical and subjective."
The, aika gold, selection of MuVIM, curated by Perer Baki, shows his particular vision of the world with a tour of all his creative periods in Hungary, France and the United States.
Historical photography is also represented in the exhibition "New York Rises. Photographs by Eugene de Salignac ', which contains a selection of the 20,000 snapshots of the city of New, star trek online credits, York that the author took to illustrate the rapid growth period of the Big Apple.
For years, these extraordinary pieces, which surprised "by its quality and technique," stressed Perez, have been used in books and movies, but have never been attributed to De Salignac. Therefore, the exposure of MuVIM and the companion book is the first monographic presentation of their work.
The museum also presents Valencia 'Building bridges. Photographic dialogue between the nineteenth century and the present ', which displays the experimental work that photographers such as Joan Fontcuberta, Roland Fischer, Javier Valentin Vallhonrat Brazuelo or have been inspired in the nineteenth century funds of the Foundation University of Navarra.
Under the slogan 'Fictions daily. Among the field of public and private ', the museum exhibits the work of four photographers invited, Fernando Bustamante, Santiago Carregui, Kai and Miguel Lorenzo Foersterling to focus the debate about the relationship that exists between urban models and evolution in social dynamics and individual as well as their influence on the configuration of a multiform and reinvented global collective identity.
The image of the everyday is so, more than ever, a great fiction that develops its representation in a complex system of linked scenes in which, in one way or another, every individual acts, plays, according to the parameters of the role assigned circumstantially. Curatingthe proposal is carried out by Jose Luis Perez Pont.
Finally, the MuVIM proposes a "fun on the town" with "color Valencia, live. Pictures of Bernard Plossu '. Since 1997, when he presented a retrospective exhibition at IVAM, Valencia has frequented Plossu Bernard, a capital that, like many others in Europe, has been photographed repeatedly.
On one such trip, when he left behind the station and entered the city, this, suddenly, he revealed in color. This unexpected and sudden appearance of what until then was in black and white is at the origin of this 'Valencia color, live', which comprise nearly 200 images printed with inkjet and in a format to better evoke the trip is similar to postcards.
For its part, the Chamber hosts the proposal Parpallo 'Impressions and comments. Portuguese contemporary photography, "which brings together works from two collections of photography's most important Portuguese country, kiss-Coleccion Banco Espirito Santo, and the Fundacao de Serralves, Museu de Arte Contemporanea.
Critical load
According to Ricardo Nicolau has highlighted, it is an exhibition with an important and critical contribution to flee from Portugal guidebooks.
Also, with this exhibition, organized by Fotocolectania, the Parpallo also joins the VIII Mostra Portuguesa, the international art competition organized by the Embassy of Portugal, Camoes Institute and the Ministry of Culture, for the first time, will have "co-host "in Valencia.
Finally, Carlos Perez has highlighted the pleasure is in Valencia for photography and has been reported already received requests from organizations to participate in the next edition of 'Photo'. The head of exhibitions has been suggested that despite the limitations, as not all areas are suitable for the exhibition of these pieces, offer programming with 32 samples inetres aware of this genre.